International Music Competition
PianoInterpretationJury
PianoInterpretation
Jury
Hector Moreno, born in Rosario, Argentina, into a family of musicians — his mother, Alicia Rivera, was his first teacher — he completed his musical training in his home country with Antonio De Raco and Manuel Rego in piano and Ljerko Spiller and Sergio Lorenzi in chamber music. He continued his advanced studies in London on a British Council scholarship at the Royal College of Music with Bernard Roberts, Phyllis Sellick and Colin Horsley.... Subsequently in Paris with Jacqueline Robin and in Florence, where he currently resides, with Maria Tipo and Alessandro Specchi. His extensive concert activity has established him as a prominent figure in the international music world, leading him to perform as a soloist, in chamber ensembles and with orchestra in the most prestigious theatres and concert halls across Europe, Latin America and the United States. In recent seasons he has appeared at the Wigmore Hall in London, the Salle Cortot in Paris, the Teatro Olimpico in Rome, the Concertgebouw in Amsterdam, the F. March in Madrid, the RTSI Auditorium in Lugano, the Teatro La Pergola in Florence, the Residenz in Munich, the Teatro Colón in Buenos Aires, the WDR in Cologne and the RIAS in Berlin. For over 35 years he has performed in duo with pianist Norberto Capelli. He has recorded for the labels Classico Records, Rodolphe, Dynamic, Marco Polo, Arts and Frame. He is frequently invited to participate as a performer and lecturer at international festivals and to serve on the juries of national and international competitions.
Italy
Poland
Maciej Pikulski, soloist, chamber musician and accompanist to leading singers, has already performed in over 300 concert halls on 5 continents. He obtained his diploma in piano, chamber music and vocal accompanying at the Conservatoire National Supérieur de Musique in Paris, where he also studied as a graduate and was awarded the France Telecom Foundation prize. A student of Dominique Merlet and Clive Britton (himself a former student of the legendary Claudio Arrau), Maciej Pikulski has performed as soloist in Liszt's "Totentanz" and Gershwin's "Rhapsody in Blue" at the Música em Trancoso Festival, Brazil; Gershwin's "Concerto in F" at the Teatro Colón in Buenos Aires and Sala São Paulo; Rachmaninoff's Concerto No. 2 in Logroño, Spain; Beethoven's "Emperor" Concerto No. 5 in Biarritz, France; Chopin's Concerto No. 2 in Olsztyn, Poland, and solo piano recitals in Uruguay, Russia, India, Sri Lanka, Italy, Germany, Spain, Switzerland, Poland and Belgium. Together with bass-baritone José van Dam he has given recitals at Carnegie Hall, New York; La Scala, Milan; Théâtre Royal de la Monnaie, Brussels; the Concertgebouw, Amsterdam; Teatro Colón, Buenos Aires; Théâtre des Champs Elysées, Paris; and with Renée Fleming, recitals at the Salle Pleyel, Paris; the Musikverein, Vienna; Grand Théâtre de Genève; the Barbican, London; Festspielhaus, Baden-Baden; Dublin Concert Hall; Rudolfinum, Prague; as well as with Thomas Hampson, Natalie Dessay, Diana Damrau, Aida Garifulina, Elina Garanca, Nicolas Testé, Dame Felicity Lott, Luca Pisaroni, Maria Bayo, Sumi Jo, Anna-Caterina Antonacci, Laurent Naouri, Joseph Calleja, Patricia Petibon, Paul Gay, Angelika Kirschlager and others. Maciej Pikulski has recorded 16 CDs and DVDs and has given masterclasses in Paris, London, Rome, Parma, Milan, Vienna, Brussels, Amsterdam, Graz, Antwerp, Washington, Beijing, Shanghai, Shenzhen, São Paulo, Manila and Warsaw. He holds a tenured chair at the Centro Superior de Música, San Sebastián, Spain and at the Ecole Normale de Musique, Alfred Cortot, in Paris. The specialist music press has acclaimed Maciej Pikulski for his "poetic sensitivity" (Globe and Mail, Toronto) and his "powerful technique" (New York Times), praising him as a "magnificent musician" (Le Figaro), "great pianist" (Corriere della Sera) and "el mage del piano" (Ritmo).
Carlo Balzaretti is a prominent figure on the Italian and international piano scene. Pianist, composer, lecturer and Conservatoire Director, he began his concert career at a very young age, performing numerous piano and chamber recitals, appearing in RAI television broadcasts and pursuing an intense artistic, educational and promotional activity. He began his musical studies at the age of four with Franca Balzaretti, graduating in Piano and Composition at the "Giuseppe Verdi" Conservatoire in Milan under the guidance of Alberto Mozzati, Paolo Bordoni, Angelo Corradini, Danilo Lorenzini and Azio Corghi, alongside studies in Orchestral Conducting. He furthered his studies in Chamber Music with Riccardo Brengola (Accademia Chigiana di Siena), Corrado Romano (Conservatoire de Musique de Genève) and Franco Gulli.... Winner of numerous first prizes in national and international competitions, including the prestigious "Maria Canals" International Competition in Barcelona (1982), in 1986 he was selected as the sole Italian representative at the Eurovision Young Musicians in Copenhagen. He also represented Italy in the European series "Concerti per l'Europa", organised by the European Economic Community and broadcast by RAI via satellite. His extensive concert activity has taken him across Europe, the United States and Asia, as a guest at major festivals and musical institutions, including the Bergamo and Brescia International Festival, the Maggio Musicale Fiorentino, the Wigmore Hall in London, the Salle Gaveau in Paris, the Kennedy Center in Washington, the National Concert Hall in Taipei, the International Mozart Festival, the Liszt Festival in Bellagio, the International Piano Festival in Beijing, the Varna State Philharmonic Orchestra, I Pomeriggi Musicali, the Serate Musicali di Milano, the Gioventù Musicale d'Italia and numerous other prestigious international concert seasons. On the occasion of his debut at the Kennedy Center in Washington in 1993, the Washington Post wrote: "Carlo Balzaretti proved to be an excellent soloist in Mozart's Concerto K.491. He seduced the audience with a solid Mozartian technique and an intelligent conception of the composition." Alongside his concert career, he has developed an extensive recording activity. He has recorded for CGD, Dynamic, Tactus, DDT Torino and numerous other labels, devoting particular attention to the promotion of Italian music. His recordings are now available on the major international streaming platforms, including Spotify, Apple Music, Amazon Music and Halidon. He is regularly invited to give masterclasses and advanced courses at prestigious international institutions, including the Central Conservatory of Music in Beijing, the China Conservatory, the Graduate Institute of Performing Arts of the National Taiwan Normal University, Beihua University, Xinghai University, the East China Normal University in Shanghai, as well as numerous universities and conservatoires in Japan, Korea and Taiwan. He has been appointed Honorary Professor at the Shenyang Conservatory of Music and the Wuhan Conservatoire. From 2014 to 2018 he collaborated with the University of Milano-Bicocca as part of courses and seminars. For over twenty years he has collaborated with jazz pianist and composer Enrico Intra on the artistic project "Piani Diversi", dedicated to the dialogue between classical music and jazz. In March 2021, the Central Conservatory of Music Press in Beijing published a collection of his piano compositions, subsequently adopted as study repertoire in numerous Chinese universities. His works are also included in collections published by Ricordi, Warner Bros and Hachette, currently used in conservatoires and music schools. In 2024 he gave masterclasses at the Wuhan Conservatoire, the China Conservatory in Beijing, the Huazhong International Music Festival and the Hong Kong International Music Festival, events to which he was invited as pianist, teacher and jury member. He is frequently invited to serve on the juries of prestigious international piano competitions and has taught in major Chinese cities, including Beijing, Shanghai, Guangzhou, Chengdu, Shenzhen, Wuhan, Hong Kong, Dalian, Jilin and Shenyang, as well as in Taipei. In 2025 he was selected for the international PNRR project "T4T – The Four Turandot", as a piano teacher for the training of high-level young talents, carrying out teaching activities in Indonesia, Vietnam and Australia. In the same year he served as Jury President for the Piano Performance and Piano Interpretation sections of the inaugural edition of the Agnesi International Music Competition, contributing to the selection of young pianists from numerous countries around the world. In September 2025 he was appointed Visiting Professor at Shenzhen Technology University and Deputy Director of the Strategic Development Advisory Committee of the School of Music for the three-year period 2025–2028. He was also invited to give a masterclass at the prestigious Estonian Academy of Music and Theatre, the first Italian pianist to receive such an invitation. Since 2007 he has held directorial positions at several Italian conservatoires, including Brescia, Como and Gallarate, combining his artistic activity with a constant commitment to training the next generation of musicians.
Italy
Italy
Filippo Bulfamante received his musical training with Luigia Spinelli and Eleonora Basile, before furthering his piano studies with Sergio Fiorentino and his chamber music studies with Pier Narciso Masi. He attended courses given by Michele Campanella at the Accademia Chigiana in Siena and by Alexander Lonquich at the Accademia Pianistica in Imola. Prize-winner in ten national piano competitions, he performs across Europe, Asia and North Africa, having represented Italy at international festivals in Hanoi (Vietnam, 2018) and Tunis (Octobre Musical de Carthage, 2017). Formerly Director of the Civica Scuola Musicale "Riccardo Zandonai" in Rovereto (2002–2014) and Artistic Director of the International W.A. Mozart Festival in Rovereto (2004–2008), as well as Artistic Consultant for the International Festival of Culture in Bergamo (2011), he is currently Director of the Istituto Musicale Città di Rivoli "Giorgio Balmas" and Artistic Director of the concert series "Scene dal Vivo". His work as a cultural events organiser and promoter of musical culture has led him to collaborate with institutions such as the Accademia Nazionale di Santa Cecilia in Rome, the Mozarteum in Salzburg, the Italian Cultural Institutes in Madrid, Marseille and Tunis, the Venezuelan State Foundation for the System of Youth Orchestras, Boston University and the University of New Mexico. He has served as president and jury member at national and international music competitions, including the International Composition Competition "2 Agosto" in Bologna. He records for the Halidon Music label.
Luca Ciammarughi studied piano at the G. Verdi Conservatoire in Milan, graduating with the highest honours in the class of Paolo Bordoni and subsequently obtaining, with distinction, the academic diploma in vocal chamber music in the class of Stelia Doz. As a concert pianist he has performed for the Festival dei Due Mondi in Spoleto, Mito Settembre Musica, Taormina Arte, La Verdi, the Mantova Chamber Music Festival, the Società dei Concerti di Milano, the Spoleto Festival USA in Charleston, the Festival Guadalquivir in Spain, the European Union Youth Orchestra, the Salle Cortot in Paris, Piano City Milano and many other institutions.... His recordings of Schubert's Sonatas D 894 and D 960 have received unanimous critical acclaim. He has appeared several times on RAI Radio Tre, performing live a wide repertoire ranging from Rameau to Reynaldo Hahn. For ten years he has broadcast daily on Radio Classica: his programme "Il pianista" has become a point of reference in Italian music education. A contributor to the journal MUSICA, he is also editorial director of the ClassicaViva network. He has written thirty entries for the Guida alla musica da concerto published by Zecchini Editore, and has published with LIM in Lucca the monograph Le ultime sonate di Schubert – Contesto Testo Interpretazione, as well as essays on Schumann's lieder and the mélodies of Poulenc and Debussy. He has composed the music for the short films Elsa's kitchen and Anna e Marcel, screened at the Centre Pompidou in Paris.
Italia
Italia
Bruno Cinquegrani, former Associate Conductor of Los Angeles Opera and the Crimea Symphony Orchestra, trained in Naples and Mannheim, furthering his studies at the Aspen Music Festival with David Zinman and attending masterclasses with James Levine. He has conducted over fifty concerts with the Crimea Symphony Orchestra and collaborated with major international institutions, including the Orchestra of the Teatro di San Carlo, the Polish National Radio Orchestra, the Belgrade Philharmonic, the Fort Worth Symphony Orchestra and the Orchestra of the Fondazione Arena di Verona.... In the operatic field he has conducted major repertoire titles at prestigious international theatres, including La Traviata (Tokyo), Lucia di Lammermoor (Seattle Opera), L'elisir d'amore (Opera Holland Park, London) and Il Campanello at the Teatro San Carlo in Naples. Throughout his career he has collaborated with some of the most important artists on the international opera scene, including Plácido Domingo, Mariella Devia, Ruggero Raimondi, Francesco Meli, Saimir Pirgu and Stephen Costello. A lecturer in Orchestral Practice, he currently teaches at the "Lucio Campiani" Conservatoire in Mantua.
A unique opportunity for pianists of all ages: from children taking their first steps on the keyboard, to professional performers. The competition celebrates the legacy of Maria Teresa Agnesi, a pioneer of female culture and music, with the aim of enhancing talent, passion and interpretative depth. Sections dedicated to piano initiation, categories divided by age and a section dedicated to piano interpretation, offer each candidate a real opportunity for musical and artistic growth. It is not just a competition, but an educational and inspiring experience, where each participant is encouraged to express their voice through the piano. Prizes, concerts, scholarships and an international jury of excellence await you.
The regulations of the Agnesi International Piano Competition are designed to ensure clarity, fairness and valorization of talent in every phase of the competition. The categories are divided by age group and level of preparation, offering each participant the opportunity to express themselves in a way that is consistent with their musical path.
The tests will take place in person at Villa Borromeo in Arcore, in a welcoming and inspiring environment, and will be evaluated by a highly qualified jury.
There are sections dedicated to children taking their first steps on the piano, to young students, up to professionals in piano interpretation.
Awards that enhance talent, at any age.
The Agnesi International Piano Competition rewards piano excellence with scholarships, award concerts and special recognitions designed to enhance every musical path.
The winners of the various categories will have the opportunity to perform in prestigious concert contexts, receive financial support for training, and benefit from the visibility offered by an international competition.
Particular attention will be paid to the section of young pianists, with personalized educational awards, special mentions and moments dedicated to artistic encouragement, to accompany with enthusiasm and delicacy the first steps in the world of music.